TonightOnScreen Catalog
Explore Entertainment • Sci-Fi
Search our curated catalog of cinema releases, binge-worthy series, and where to stream them.
Godzilla: Final Wars
Godzilla: Final Wars is Toho's wildly exhilarating, unapologetically maximalist, and gloriously self-aware 50th anniversary monster extravaganza directed by Ryūhei Kitamura, unleashing an extraordinary, globe-spanning monster brawl that pits Godzilla against virtually every iconic Toho kaiju simultaneously in a frenetic, kung-fu-infused sci-fi action spectacle of breathless, unrelenting energy. Set in a future Earth where Titans have plagued civilization for decades, humanity has responded by creating the Earth Defense Force's M-Organization — an elite corps of genetically enhanced mutant soldiers capable of battling monsters in close combat. When multiple kaiju simultaneously attack cities across the globe — Rodan descends on New York, Anguirus targets Shanghai, Kamacuras attacks Paris, Ebirah strikes Sydney, Hedorah assaults Tokyo, and King Caesar battles Okinawa — the mysterious Xilien aliens suddenly arrive in gleaming flying saucers, seemingly using their advanced technology to dispatch all monsters simultaneously and presenting themselves as Earth's saviors. However, the Xilien offer of planetary partnership conceals a sinister plan of absorption and invasion. The mutant soldier Shinichi Ozaki and United Nations researcher Miyuki Otonashi uncover the Xilien conspiracy and make the audacious decision to wake Godzilla from his Antarctic imprisonment — unleashing the most powerful creature in Earth's history to battle through a gauntlet of monster after monster. What follows is cinema's greatest monster demolition derby as Godzilla systematically dismantles every Xilien-controlled kaiju in lightning-fast, borderline comedic succession before confronting the true threat. An adrenalized, joyful love letter to the entire Toho kaiju legacy.
King Kong vs. Godzilla
King Kong vs. Godzilla is the genre-defining, enormously entertaining, and historically monumental crossover spectacle directed by Ishirō Honda, uniting two of cinema's most towering and culturally iconic monster legends in the first — and for decades, only — meeting of the franchise titans, shattering Japanese box office records and becoming the most attended Godzilla film in Japanese history with over 11 million domestic tickets sold. The satirical narrative opens with the Pacific Pharmaceutical Company's ratings-hungry television executive Tako desperately seeking a sensational new entertainment property to revive flagging viewership. When rumors surface of a colossal ape-like creature worshipped as a god by the remote Faro Island inhabitants in the South Pacific, Tako dispatches a television crew to capture Kong for a global entertainment spectacle, inadvertently triggering a geopolitical monster collision of historic proportions. Meanwhile, the US Navy submarine Seahawk accidentally frees Godzilla from the Arctic glacier that imprisoned him in the last Showa film, and the resurrected leviathan immediately resumes his northward rampage across Japan. As Godzilla burns his way through Self-Defense Force positions and Kong — captured and sedated with Faro Island's addictive fermented berry juice — escapes his raft transport and battles Japanese military forces, the collision course between cinema's two supreme monsters becomes inevitable. The film's climactic Mt. Fuji showdown, featuring the memorable image of Kong grappling Godzilla in a lightning-fueled sumo wrestling match, is both absurd, exhilarating, and deeply satisfying — a joyful monster brawl that cemented the crossover formula still beloved today.
Godzilla: King of the Monsters
Godzilla: King of the Monsters is an apocalyptic, mythologically rich, and visually thunderous MonsterVerse spectacle directed by Michael Dougherty, escalating the franchise into an era of Titan awakening and ancient ecological warfare. Five years after the catastrophic San Francisco battle between Godzilla and the MUTOs, the world has fractured between two ideological factions: the Monarch organization, which advocates for peaceful coexistence and scientific understanding of the Titans, and an eco-terrorist group led by the radicalized former Monarch scientist Alan Jonah, who believes humanity is a parasitic plague that only mass Titan awakening can cure. The Russell family — Dr. Emma Russell, a brilliant bioacoustics expert, and her estranged husband Dr. Mark Russell, a wildlife photography expert — are pulled into the maelstrom when Emma and their daughter Madison are abducted by Jonah's mercenaries. Using a bio-synthetic device called the ORCA that Emma designed to communicate with Titan bio-frequencies, Jonah and Emma trigger the global awakening of seventeen dormant Titans across the planet, including Mothra — the luminous, divine guardian insect Titan — the volcanic, aggressive pterosaur Titan Rodan, and most catastrophically, Monster Zero, better known as King Ghidorah, a three-headed, lightning-summoning extraterrestrial dragon of incalculable destructive power who immediately establishes himself as a usurper alpha. As Ghidorah dominates the Titans and drives global ecological devastation, Godzilla faces near-annihilation and must regenerate from nuclear depths to challenge the golden tyrant in a final cataclysmic showdown in Boston, with Madison's desperate ORCA gamble offering one final chance to alter the course of Titan history.
Venom: Let There Be Carnage
Venom: Let There Be Carnage is a manic, visually explosive, and kinetic comic book thrill ride directed with gothic flair by Andy Serkis, plunging Eddie Brock and his alien symbiote partner into an apocalyptic clash against one of Marvel's most notoriously bloodthirsty villains. Still adjusting to their chaotic domestic coexistence inside Eddie's cluttered San Francisco apartment, Eddie and Venom find themselves locked in ceaseless squabbling: Eddie seeks to revive his respectable journalistic reputation through journalistic restraint, while Venom yearns to roam free and violently devour criminals. Eddie receives a monumental journalistic career lifeline when the notorious death-row serial killer Cletus Kasady insists on granting him exclusive final interviews at San Quentin State Prison, weaving cryptic rhymes that secretly reveal the clandestine burial sites of his victims. During their tense, volatile final confrontation prior to Kasady's scheduled lethal injection, Kasady provokes a violent physical altercation and bites Eddie's hand, unknowingly ingesting a mutated fragment of the alien symbiote into his bloodstream. At execution, the foreign genetic pathogen bonds with Kasady's homicidal psyche, violently birthing Carnage—a towering, crimson, tentacled behemoth equipped with razor-sharp scythes and pure sociopathic sadism. After orchestrating a fiery prison massacre and breaking out his mutant beloved Frances Barrison (Shriek) from Ravencroft, Kasady embarks on a murderous rampage, targeting Eddie, Anne, and the entire city. Realizing that neither can survive alone, Eddie and Venom reconcile their domestic differences, forging an unyielding bond to face their deadly crimson offspring in a gothic cathedral showdown. Brimming with frenzied energy and a mind-bending multiverse teaser, the film is pure symbiotic spectacle.
Spider-Man (1977)
Spider-Man (1977) is a groundbreaking, nostalgic live-action superhero feature film directed by E.W. Swackhamer, marking the very first full-length live-action movie adaptation of Marvel's iconic comic book superhero. Set in the gritty, bustling urban landscape of late-1970s New York City, the story introduces Peter Parker, an earnest, bespectacled college science student working as a freelance photojournalist for the cantankerous editor J. Jonah Jameson at the Daily Bugle. While conducting laboratory radiation experiments on cellular biology, Peter is bitten by an accidentally irradiated spider, miraculously gaining the proportionate strength, agility, wall-adhering capabilities, and danger-sensing spider-sense of an arachnid. Crafting a colorful red-and-blue spandex costume alongside wrist-mounted mechanical web-shooters that fire high-tensile nylon filaments, Peter begins patrolling the city rooftops as the mysterious vigilante Spider-Man. The plot turns into an urgent metropolitan crisis when a sinister, calculating villain and extortionist named Edward Byron harnesses mind-control technology and microwave subliminal messaging to hypnotize innocent New York citizens—including prominent bankers and legal officials—into committing daring bank robberies and threatening catastrophic mass suicides unless the municipal government pays an exorbitant ransom of fifty million dollars. Framed by Byron's intricate media manipulation and pursued by skeptical police detectives, Peter must race against the clock to locate Byron's secret broadcast headquarters, defeat his hypnotic henchmen with acrobatic wirework stunts, and clear his name before Byron triggers a citywide calamity. With vintage 1970s charm, funk musical scores, and Nicholas Hammond's earnest portrayal, it is a historic milestone in comic book cinema.
Morbius
Morbius is a dark, atmospheric, and gothic superhero sci-fi thriller directed by Daniel Espinosa, expanding Sony's Spider-Man Universe by bringing one of Marvel Comics' most tragic and complex nocturnal anti-heroes to the screen. Renowned biochemist Dr. Michael Morbius has dedicated his entire adult life to medical research, motivated by a desperate quest to find a genetic cure for the rare, debilitating blood disease that has crippled both him and his surrogate brother, Milo, since childhood. After receiving the Nobel Prize for inventing synthetic artificial blood, Morbius embarks on an audacious, ethically precarious scientific gamble in international waters, combining human DNA with the anticoagulant biological enzymes of predatory vampire bats. While the experimental transgenics miraculously restore his physical vitality, imbuing him with superhuman strength, ultrasonic echolocation, and the power of aerokinetic gliding, the procedure exacts a horrific, predatory curse: an insatiable, overwhelming thirst for warm human blood that turns him into a living vampire. Horrified by the brutal massacre of mercenaries during his initial blackout transformation aboard the research vessel, Morbius desperately develops synthetic blood substitutes to suppress his predatory feral impulses. However, the tragedy deepens exponentially when Milo secretly administers the unrefined serum to himself, embracing the vampiric curse with unrepentant, murderous euphoria and slaughtering innocent citizens across Manhattan. Framed for Milo's gruesome killing spree and hunted by skeptical FBI agents, Morbius must master his nocturnal powers and make agonizing moral choices to destroy the brother he spent his life trying to save. Blending horror aesthetics with superhero spectacle, Morbius is a dark gothic odyssey.
Madame Web
Madame Web is a suspenseful psychological and supernatural superhero thriller directed by S.J. Clarkson, exploring the fateful, multiversal web of destiny that underpins the Spider-Man mythos through an enigmatic origin story. Set in Manhattan in 2003, the storyline follows Cassandra 'Cassie' Webb, a pragmatic, fiercely independent paramedic working alongside her partner Ben Parker on the gritty emergency streets of New York. Following a near-fatal drowning accident inside a collapsed ambulance submerged in the Hudson River, Cassie experiences disorienting, terrifying temporal lapses and precognitive visions that reveal impending disasters seconds before they materialize. As she struggles to comprehend her awakening clairvoyance, Cassie's visions thrust her directly into the path of three troubled young women—Julia Cornwall, Anya Corazon, and Mattie Franklin—who are being hunted across the city by Ezekiel Sims, a lethal, enhanced clairvoyant hunter wearing an ominous black spider suit. Years earlier in the Amazon rainforest, Ezekiel betrayed Cassie's pregnant mother to steal a miraculous, mystical spider whose biological venom granted him superhuman powers, yet he is now tormented by recurring visions of these three teenagers manifesting as superheroic Spider-Women and slaying him in the future. Recognizing her maternal duty to protect the girls from Ezekiel's murderous preemptive strikes, Cassie takes them into hiding, unlocking the ancestral spider lore tied to her mother's death. Navigating shifting timelines and tactical ambushes, Cassie learns to weaponize her temporal foresight and weave the destinies of future protectors. Grounded in suspense and female camaraderie, Madame Web delivers an intriguing foundational chapter of the spider lore.